On the Joy of Going to the Movies
I have just returned from seeing Charlie and the Chocolate Factory. I liked it. A lot. But finally, it really doesn’t matter what I thought of this particular film. Last week I saw Batman Begins. I liked that, too. Well, actually, I wasn’t crazy about the latter film, but I really liked going to the movies. Let me qualify that: I love going to the movies. I have over the years seen a great many films: when I lived in New York City I went to the cinema at least three times a week. Sometimes, I would come home from school on a Friday afternoon (I was a high school English teacher. Maybe I still am?), and I would go for my daily run in Central Park (oh, how I loved running in Central Park); then I would come home, shower, pack a small dinner, and go off to the Thalia Theater at 95th and Broadway for a double feature. Sometimes you had to hold the sandwich high to keep the little rats away, but I soon learned that even rats aren’t crazy about tempeh and tofu. I ate a lot of tempeh and tofu sandwiches. To my mind, the film experience was a perfect ending to imperfect weeks.
I love sitting in the dark. Smack in the middle of the theater, preferably. Though, I really don’t care where I am seated so long as I can see the screen unobstructed and have easy access to the bathrooms. I don’t need popcorn, but there are, at times, a type of film that calls for popcorn—usually, this type of film is a comedy. I had popcorn today at Charlie and the Chocolate Factory. I love getting to the show a bit early, and bringing some reading material—The Nation, In These Times, The Forward—once, I even brought Michel Foucault into the theater and read the same paragraph until the previews began. I love sitting in the dark on a hot summer early afternoon with the air conditioning on high power. I love sitting in the dark on a cold winter’s late afternoon snuggled in my sweater and lined jeans. I like being alone even when I am with another. As Thoreau says, “There are some things which a man never speaks of, which are much finer kept silent about . . . In human intercourse the tragedy begins, not when there is misunderstanding about words, but when silence is not understood.” Silence is what I seek in the theater.And when the film is over, I crave a social meal or a friendly and fine beer. To talk about the film, of course, but more to talk about life with the film as stimulus.
I know that there is a strain of theory that suggests that sitting in the darkened theater is like dreaming. Maybe it is so. Ah, what isn’t like dreaming, except maybe dreaming. Thoreau again: “For in dreams we but act a part which must have been learned and rehearsed in our waking hours, and no doubt could discover some waking consent thereto . . . Our truest life is when we are in dreams awake.” I go to the movies to get away from the world and to confront it. I go to the movies to sit in the dark so that my life is just a bit brighter.
Mitch and I had dinner again at the Hammond Hotel. It’s a quaint dining location situated right under the Hammond Water Tower in the scenic town of Hammond, Wisconsin, and across the parking lot from a boarded up window which might once have hidden Jews hiding from Nazis. We were discussing blogs, and Mitchell asked, wisely, “Who the hell reads them?” I told him that that was exactly the point—we all have to read them because blogs represent the best (and last?) potential for subversion the left might yet have. We have lost whatever hope we might have once had in the media—they are effete and ineffectual, and the government has effectively silenced whatever brave reporters yet exist. We have no member of Congress brave enough to tell the truth, or even brave enough to practice it. Certainly, who ever we thought were our representatives have turned with their tails between their legs at the reprimand of the Republican White Christians, to quote one of the last of the angry men, Howard Dean! (This is the very same Howard Dean who taught us how powerful the Internet can be as a political instrument—this knowledge required that the powers-that-be destroy him, and advocate for a John Kerry who might look good but who wouldn’t threaten the power structures.) The right wing beat us to the radio talk shows, and the Rush Limbaughs laugh at us as we try to play extreme catch-up on TalkRadio. No, in all of the traditional places in which power resides in our society, we, on the left, are absolutely locked out. Without Resources. Useless. Meaningless. Our conversation kept drifting to the Vichy government, to Petáin, and to Casablanca.
I have often speculated on why you don’t return to America. Did you abscond with the church funds? Did you run off with a senator’s wife? I like to think you killed a man. It’s the romantic in me . . . And what in heaven’s name brought you to Casablanca? “My health. I came to Casablanca for the waters.” “Waters! What waters? We’re in the desert!” “I was misinformed.”

I am re-reading the diary of Anne Frank. She did not live to be as old as Emma is now; and for twenty five months she did not breathe the air in the world. She lived in the insufferably claustrophobic space of the Secret Annex, and, remarkably, did not go mad. I have never been that strong.

