I was just listening to Internet radio and doing something
else when the Weavers’ version of “When the Starts Begin to Fall” played.
Others have sung this song—Marian
Anderson for one as “My Lord What a Morning.”
This was one of what W.E.B. DuBois referred to as one of the Sorrow
Songs, though somehow the hope that resides in this song speaks of joy—my lord,
what a morning! Yes, in the morning the stars do begin to fall—where else do they go?—and the sun comes up on the horizon and the night becomes day
and the cold becomes warm Ah, yes, for the slaves the day would be harsh and
hard, and at some point the night would be welcome as an end to labor. But, oh
Lord, what a morning !
The version
sung by the Weavers removes from the Gospel its Christian orientation and
transforms it into a song of defiance.
Who will hear the sound of victory when the stars begin to fall? It will be us
who experience the glory of this morning when the stars begin to fall.
I think of
Dylan’s song, “When the Night Comes Falling From the Sky.” His is an angry
song. But it is a song also of freedom.
He sings:
This time
I’m asking for freedom
Freedom from a world which you
deny
And you’ll give it to me now
I’ll take it anyhow
When the night comes falling
from the sky.
I have ripped his stanza out of its context—it is a song addressed ostensibly to a lover—but as always with Dylan the addressee exists
in allegory. He speaks to those who have
demanded from him answers, but he refuses the role arguing, “I can’t provide
for you no easy answers/Who are you that I should have to lie?” It will all be
known when the night comes falling from the sky—‘it’
being the answer to the unanswerable questions.
Ronnie Gilbert’s voice on this
song is so plaintively clear and not clearly plaintive, filled with strength
and promise. Dylan’s song is filled with anger and demand but no threat. I am
made joyful by the Weavers and made strong by Dylan, but it is the same sky and
the same morning when the starts begin to fall.