Last evening, for the fourth time in thirty years I attended
a John McCutcheon concert. I had first heard him sing and play at a Clearwater
Festival in the late 1980s. As I recalled, he then shared the stage with Guy
Carawan, at that time one of the leading hammer dulcimer player in the country,
and in addition to his own hammer dulcimer McCutcheon also played his
idiosyncratic mix of topical and what would be called folk songs. (Dylan has
said that a song to which one can attach an author is not a ‘folk song!’ Folk
songs come out of the folk, and they are almost always anonymous and the songs
never remain the same depending, of course, on the time and place.) Last night McCutcheon
sang “This Land is Your Land” with a newly composed verse: and though we know
who wrote it the song is certainly nothing but embedded in the folk, Dylan
notwithstanding, or even Dylan in agreement. McCutcheon ended the concert with
his own musical rendition of an unfinished Woody Guthrie song. Woody Guthrie’s
songs already exist as part of folk music because he borrowed verses and
melodies from the folk, even as Richard Fariña’s “Birmingham Sunday,” about the
church bombing in September, 1963 causing the deaths of four young girls, Addie
Mae Collins, Cynthia Wesley, Carole Robertson and Carol Denise McNair, yet retained
a verse (and melody) from the original folk song “The False Bride” (or “I Once
Loved a Lass”) that transformed for me Fariña’s composition into something timeless
and timely.
All men in yon forest they asked of me,
"How many strawberries grow in the salt sea?"
And I answered them with a tear in my eye,
"How many ships sail in the forest.”
Of course, there are no answers to
these questions that might satisfy any rationality. But as I sat happily and
listened to McCutcheon tell stories and sing his songs, I knew for tragic certainty
that a sensibility such as his would never be invited or understood into the
White House under Trump and his band of thieves and cutthroats. Dylan played
there, as did Joan Baez! Joe Hill. Woody Guthrie. The Ludlow mine massacre. The
tragedy in Calumet, Michigan. The subjects of “Deportees” and “Pastures of
Plenty” would mean nothing to the consciousness of mostly white men of obscene
wealth. What could this wonderful chorus of McCutcheon’s “The Kindergarten Wall”
mean to them?
Of all you learned, remember this the best
Don’t hurt each other and clean up your mess
Take a nap every day, wash before you eat
Hold hands, stick together, look before you cross the
street.
And remember the seed in a little paper cup
First the roots go down and then the plant goes up!
Delight and joy lived in that room
last evening and I sat amongst family, but out here in the world still resides
Trump and his incompetence, stupidity and callous disregard for the rule of
law, for civility and for compassion. And the Republicans in Congress are a
despicable lot who belong in one of the lower levels of Dante’s Inferno. But I
doubt that they have read that book.