Maybe more than the time of year

                       

Maybe it was the time of year or maybe it was the time of man. Rosh Hashanah had ended the previous week and now, ten day later the shofar signaled the end of Yom Kippur, the Jewish Day of Atonement, the most sacred day of the year. Torah says on that day you should afflict yourself, and the Rabbis have interpreted the requirement to mean that for the whole of the day—from sundown to sundown—one should abstain from food and drink, from anointing, from wearing leather and from sexual intercourse. These denials should allow one to focus the mind not on the body but on the spirit. Teshuvah, the act of return after the confession, offers to the world a soul that has been forgiven and that can enter life in a new beginning. Sometimes over the years I have experienced this state, but throughout any number of bygone and recent years not so often. And certainly not lately. The historical materialist in me remains suspicious of this ideology. Freud has suggested that the past is never lost, forgotten or forgiven, and I have long held with Faulkner who had said in his acceptance speech for the Nobel Prize, “The past is never dead. It is not even past.” Nonetheless, at Yom Kippur this year as in sixty-five years previous I have afflicted myself: did not eat or drink, did not anoint myself; I wore leather only on my belt so that my trousers would not fall down and I did not engage in sexual activity. This last was the least difficult, such as is my age. But at the end of my fast and at the blowing of the shofar I was aware that I had not experienced any spiritually transcendent moment, and  I left the shul not expecting my transgressions to have been forgiven and forgotten. I do not know when I might have lost the capacity for the experience, if indeed I ever did possess it, but now it was certainly  . . . unavailable.

            But two evenings later, on that Saturday evening at the concert, I enjoyed just such a spiritually transcendent moment. John McCutcheon’s presence, by which I mean the songs he sang and the stories he told to the room of perhaps 200-300 folks, many of them gray-headed or bald, many hopefully retired and at some peace, all who had been through the wars both social and political and who had come there to be present, John reminded us of the struggle which over the years he had shared with us and spoke and sang of the work still to be done. He sang of the joys and sorrows of this life, and he told stories of the sorrows and joys he had experienced as he traveled and performed throughout the world. I sensed that some of what he said had been scripted prior, but there in his narrative I felt unrehearsed emotion and meaning in the choice of stories and songs he would sing. 

            I have had for almost forty years’ experience with McCutcheon’s work and have attended more than several of his concerts in a variety of venues and states. In my storage unit are a dozen or more of his CDs. I do not listen to CDs anymore, but that situation demands another blog post. But last night my seventy-eight year old body, uncomfortable as a way of life and uncomfortable in the unupholstered bridge chairs at the Cedar Cultural Center, seated between my partner and my 31 year old daughter, who perhaps didn’t know to what experience to which she had accepted invitation and who was perhaps unprepared for what she would hear, but I was overwhelmed by an experience of transcendency at the intensity, sincerity and beauty of his singing and his playing on a variety of instruments, banjo, guitar, fiddle, hammered dulcimer, autoharp and piano. And I mean, not playing as in cursory performance, but singing and playing with a passion and a demand for social justice, for human rights, with an advocacy for the better parts of all of us in the multitude who sat with him. There was love in that room, and I knew somehow that I was not alone.

McCutcheon had created in that not very large room a community where for some brief moments all dissension ceased, and we sat and smiled together as we sang. Oh, we knew that there was an ugly world out there—McCutcheon reminded us of that in his choice of songs—but the songs and singing kept the wolf at bay for just a few moments. I felt warm despite the air-conditioning, secure and almost at peace amidst the chaos. For just a little while as we sang, hallelujah, the great storm was indeed over.
            As I stepped out into the sweltering October night, I knew, the storm that had been ended in there raged still out here. But for just three hours in there it had, yes, been over. And that would be enough for now.