23 March 2013
There is something sterile about
education today and deadening to the teachers who choose to engage it. In few classrooms
are teachers responsible for teaching that learning has no end, or that
learning ought to engage students in the mire and the muck of life rather than keep
them secluded from it. A better awareness of this adventure might prepare
students for the lives they will inevitably live in the world. To the innocent
faces of my students who would avoid the world’s hardness and trust in a world
where they might easily rest their heads, I would proffer the ironic smile of
Parmenides. In his essay on George Santayana, Lionel Trilling says that
Santayana’s critique of the American poets or of his Harvard friends who
‘petered out’ was made not because they “were worn out by American life, not
that they were hampered by economic circumstances, or perverted by bad ideals.”
Rather, Trilling argues, Santayana accused that they ‘petered out” because “they
did not know how to break their hearts on the idea of the hardness of the
world, to admit the defeat which is requisite for any victory, to begin their
effective life in the world by taking the point of view of the grave.” These
poets and artists who had ‘petered out’ would rather escape from the mess that
is the world than engage in the challenging confrontation with life. Santayana thinks
admiringly of the smile of Parmenides, the philosopher’s knowing response to a
young Socrates who had voiced complaint about the “ideas’ of filth, rubbish,
etc. with which he [was] surrounded in the marketplaces and which he would
avoid.” Parmenides recognized that to be wise Socrates must accept his
engagement in all ideas that derive
from the world because that is finally where we must live and from which all ideas
arise. Experience might not be pleasant but it is certainly real.
I’ve been watching reruns of Scrubs, a television situation comedy that
ran from 2001 through 2010. It is the opening sequence on which I want to focus
right now: for in it the main characters serially pass to each other an X-ray
sheet that intern J.D eventually hangs on a backlight box and that names the
show’s title. In the background the opening jingle declares, “I can’t do this
all on my own. No, I’m no superman,” and refers clearly not only to the series
of doctors who have passed along the X-ray photograph, but to the nature of the
entire medical profession. It is an interesting admission that suggests that despite
the comedic aspects of the show all will not be well enough. I’m no superman. Indeed, in season Four, Resident
Director Dr. Cox, standing before a new contingent of interns, offers what was
supposed to be a supportive pep talk. Instead he intones: “Everyone of you is
going to kill a patient. At some point . . . you will screw up, they will die,
and it will be burned into your consciousness forever.” Needless to say, he
terrifies the neophytes, and none of them attend the celebratory introductory
pizza party that welcomes them to the profession! I teach that episode to first
year students in the teacher education program at the university who arrive to
class with some vague, romantic motive for becoming a teacher, and who hold some
idealized image of the work teaching entails. That episode serves as my smile
of Parmenides.
Our educational standards today
intend to mask the risk and difficulties that are engaged in being a teacher. Our
objective in education has become not to learn, a pursuit that demands the
commission of error after error, but to be right, a state that assumes no
mistake! As Thoreau suggests, the acceptance of uncertainty is the hallmark of
intelligence, and it ought to be the teacher’s work to prepare students in
their understanding to be at ease with ambiguity. In Philip Roth’s American Pastoral Zuckerman says, “The
fact remains that getting people right is not what living is all about anyway.
It’s getting them wrong that is living, getting them wrong and wrong and wrong
and then, on careful reconsideration, getting them wrong again. That’s how we
know we’re alive: we’re wrong.” Dewey somewhere says that an experiment whose
results turn out as expected has been a badly designed experiment: there is
nothing to think about if everything worked as planned. There is nothing to
think about in success except the past. The teacher might stand in the front
and offer the smile of Parmenides.
In education we almost always aim
to be right, but I do not think that that is how learning occurs. Learning
requires problems, even insolvable ones. Everyone of you is going to kill a
patient. When Ishmael heads out to sea it is because he is a seeker, and it is
in the life at sea that he searches for “the image of the ungraspable phantom
of life; and this is the key to it all,” he asserts. In Cape Cod Thoreau picks up a stoppered bottle yet half full with red
ale that had washed up on the shore, and lifting it, as did Hamlet
contemplating Yorick’s skull Thoreau says, “But as I poured it slowly onto the
sand, it seemed to me that man himself was like a half-emptied bottle of pale
ale, which Time had drunk so far, yet stoppled tight for a while, and drifting
about in the ocean of circumstances; but destined erelong to mingle with the
surrounding waves, or be spilled amid these sands of the distant shore” (92).
Here there is no muffle but only the clear and singular of sound of life’s
tragic view that today’s classroom obscures behind a plethora of answers, numbers
and instruments of measurement.
I think that the sterility of contemporary classrooms
organized by strict objectives and methods of assessment avoids the messiness
of the world and cannot prepare students for the difficult business of learning
and teaching: I am a teacher and, at present, a teacher of teachers. Once (if
not always) I was a high school English teacher. Doubt and ambiguity were my
métier; it was my entrance into thought and my strength in method. But today,
we hide our fears of chaos and disorder—of
the certainty of uncertainty—behind
all of the numbers and common core standards and instruments of assessments we
employ to protect us from the void. We have stopped teaching for the ease of
management and the safety and comfort of certainty.
It’s partly
what I consider on this sabbatical.
1 Comments:
Just when I think I must escape the teaching profession...and some days, even my part in this play called life...you write something that brings an ache to my throat, compels me to dig my heels in this earth and keep fighting in the trenches for a bit longer.
I thank you for your words which give me a gift of hope, for the gift of error as a teacher...and forever a student too...for I am no "superwoman."
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